A Year Held in His Hands| A New Year Sermon
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Luke 1 is one of those chapters that feels like opening the curtain before a grand play. The Gospel of Luke doesn’t just drop us straight into Jesus’ ministry like Mark, or go back to Abraham and genealogies like Matthew. Instead, it carefully sets the stage. We’re invited into the quiet, sacred moments before history changed forever. It’s like the air is heavy with anticipation, you can almost smell incense in the temple, hear the shuffle of sandals on stone floors, and feel the stillness of a world waiting for God’s promise to break through again.
I’ll be honest, whenever I read Luke 1, I don’t just think of it as words on a page. It’s more like I hear voices, I see faces. Zechariah looking stunned, Elizabeth hiding her growing belly with a shy smile, Mary whispering prayers in a dim room, and even little unborn John leaping in the womb when Mary came visiting. It feels alive, not just a story told.
Let’s walk through it together, part by part, like a long meandering conversation over tea (or coffee if you prefer—personally, I imagine myself reading this with a clay mug of strong tea, earthy and a bit bitter, grounding me as I think).
Luke starts with something unique: a polished introduction. He tells Theophilus (whose name means “lover of God,” which makes me think maybe it was a real person or maybe symbolic, who knows) that he’s writing an orderly account. Right here you sense Luke’s character—he’s not sloppy, he’s careful, he wants truth written in a way people can trust.
I sometimes picture Luke like a historian sitting with scrolls and ink, listening to old disciples, collecting their stories. Maybe he sat by a fire with Mary herself, hearing her voice crack as she remembered angelic words from her youth. The thought of that makes my heart jump. Luke wasn’t guessing. He investigated. He interviewed. And he wanted Theophilus—and us—to know this wasn’t myth but history soaked in truth.
Now the story kicks in. We’re in the days of Herod. That phrase alone sets a dark backdrop—Herod the Great, cruel king, paranoid and bloody. Against that bleak stage, Luke zooms in on two ordinary but righteous people: Zechariah and Elizabeth.
They were old. Childless. In that culture, barrenness carried shame, whispers behind closed doors. I imagine Elizabeth avoiding the market sometimes because she was tired of pitying glances. Yet Luke describes them as blameless before God. Faithful even when prayers seemed unanswered.
And then—Zechariah is chosen to enter the temple. Imagine the smell of incense, the golden glow, the sacred silence. Suddenly, boom—Gabriel appears. Angels in Scripture never show up with soft wings and pretty halos. They terrify. And Gabriel had news: their prayers were heard, Elizabeth would bear a son. Not just any son, but one who’d prepare the way for the Lord.
Zechariah’s response? Doubt. And honestly, can we blame him? He and Elizabeth were old. When you’ve lived decades with disappointment, hope can hurt. But Gabriel struck him mute, a living sign. And I think about that: sometimes silence teaches us more than words. Zechariah had nine months of holy quiet to ponder what God was doing.
Elizabeth’s reaction always touches me. She hides herself, saying, “The Lord has taken away my reproach.” Those words carry weight—you can feel years of tears behind them. It wasn’t just about a baby, it was about dignity restored, shame lifted.
If Zechariah and Elizabeth’s story feels like old roots finally sprouting, Mary’s story feels like a sudden wildflower breaking through concrete.
A young girl. Likely a teenager. In a small, no-name town called Nazareth. And Gabriel shows up again. I always linger on his words: “Greetings, you who are highly favored! The Lord is with you.” Mary is troubled, not giggling or giddy like we sometimes imagine in Sunday school art. She knows this is serious, overwhelming.
Gabriel announces she will conceive by the Holy Spirit. The Son of the Most High. The throne of David. An eternal kingdom. It’s mind-blowing—centuries of prophecy condensed into one angelic announcement.
Mary’s response—oh, I love this—she asks, “How will this be, since I am a virgin?” It’s not doubt in the same way Zechariah doubted, it’s more like honest curiosity. And Gabriel explains the Spirit’s overshadowing.
Then Mary gives that famous reply: “I am the Lord’s servant. May it be to me according to your word.” Honestly, those are some of the bravest words in history. She was saying yes not just to God but to misunderstanding, gossip, maybe even death. In her culture, pregnancy outside marriage was scandalous, even punishable. Yet she surrendered.
I often think: could I have said yes like Mary did?
Mary doesn’t sit around after this—she hurries to Elizabeth’s house. And when she arrives, the baby in Elizabeth’s womb leaps. John, even unborn, is already pointing to Jesus! Elizabeth, filled with the Spirit, blesses Mary.
Mary then sings her song, the Magnificat. And what a song it is—rich, bold, revolutionary. She praises God who scatters the proud, lifts the humble, fills the hungry, and sends the rich away empty. Mary’s words aren’t gentle lullabies. They’re a declaration that God flips the world upside down.
Reading it, I sometimes hear echoes of my grandmother humming hymns while cooking rice in her old iron pot. She’d hum about God’s mercy, about Him making a way when life was hard. Mary’s song feels like that—ancient faith rising like fragrance in a kitchen or incense in a temple.
Elizabeth’s time comes. John is born. Neighbors rejoice. And when they ask about his name, Zechariah still mute, writes: “His name is John.” In that act of obedience, his tongue is loosed, and he bursts into praise.
His song—the Benedictus—overflows with prophecy: God has raised up a horn of salvation, remembered His covenant, shined light into darkness. It’s almost like Zechariah, once silenced, now can’t hold back the flood.
And then Luke tells us John grew strong in spirit, living in the wilderness. That wilderness image stirs me—the raw smell of dry earth, the silence of desert nights, the rough feel of camel hair. God was shaping John far from the noise, so he could later thunder with boldness.
Luke 1 isn’t just a prelude—it’s a chapter heavy with themes we can carry in our hearts.
God’s Timing – Zechariah and Elizabeth remind us that God’s clock runs different than ours. Delays are not denials. Sometimes His answer feels late, but it comes right on time.
Faith and Doubt – Zechariah doubted, Mary believed. Yet God still used both. That comforts me—our weakness doesn’t cancel His plan.
Reversal of Fortune – Barrenness becomes fruitfulness, the lowly girl becomes the mother of the King, the mute priest becomes the prophet. Luke highlights how God overturns expectations.
Songs of Praise – Elizabeth, Mary, Zechariah—they all break into songs. When God moves, music follows. Sometimes I wonder, maybe we don’t sing enough anymore.
Every time I sit with Luke 1, I find myself reflecting on seasons of waiting in my own life. I remember praying for years about something, thinking God forgot. Then out of nowhere, a door opened, and I realized He had been weaving all along. It makes me less quick to despair, though I still do sometimes.
And Mary’s courage? It nudges me when I hesitate to say yes to small obediences. She said yes to the biggest calling ever. Surely I can say yes to the small thing God nudges me toward today—helping a neighbor, forgiving someone who cut deep, or simply trusting when my bank account looks thin.
Luke 1 is like a seedbed. Everything’s about to sprout—the Messiah, salvation, the kingdom. But already, in this first chapter, you feel the trembling joy of heaven touching earth.
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